DCP FOR ANAMORPHIC PROJECTION

DCP FOR ANAMORPHIC PROJECTION

This information is provided for theatre owners who need to understand the many technical issues surrounding digital cinema.

S.TWO / OB-1 / ARRIRAW / RECORDING TIMES

S.TWO / OB-1 / ARRIRAW / RECORDING TIMES

The lightest, smallest self-contained uncompressed recorder for HD, HD444 and raw production. Weighing in at under a remarkable 7lbs (3Kg) (including the removable FlashMag) and drawing under 20W of power, the OB-1 completes any digital cinematography camera…

RED-EPIC BASIC VIDEO TUTORIALS

RED-EPIC BASIC VIDEO TUTORIALS

Various RED-EPIC and REDCINE X video tutorials to have a better idea of the basics workflow on RED.

GREAT LENS SPECIFICATIONS

GREAT LENS SPECIFICATIONS

All the information you need to know about Zeiss Master, Ultra Primes, Cooke S4i & Hawk x1.3 Lens.

DIGITAL FORMATS & INTERFACES

DIGITAL FORMATS & INTERFACES

Toda la información específica acerca de los formatos cinematografía digital y velocidades de interfaz digital.

FIELD OF VIEW & FORMAT FACTOR

FIELD OF VIEW & FORMAT FACTOR

All calculation based on a 16×9 recording area of specified sensors. Produced by Andy Shipsides. Copyright © 2012 AbelCine

LIGHTING FOR HIGH SPEED – PHANTOM

LIGHTING FOR HIGH SPEED – PHANTOM

Lighting issues are not specific for Phantom cameras but for high frame rate moving pictures in general. Even with the great sensitivity of modern cameras such as the Phantom Flex, be prepared to use a considerable amount of light. Shooting at a frame rate of 1000fps requires 5.25 times more light than at 24 or 25 fps.

DITS & DAVINCI RESOLVE 9 & GPUs SPEEDS

DITS & DAVINCI RESOLVE 9 & GPUs SPEEDS

DaVinci Resolve 9.0 features a completely redesigned user interface that’s designed to be extremely fast to use and to eliminate unnecessary clicks and settings. A job can be up and running in three clicks: one to log in, one to drop media into the project and the next to grade…

DITS & VIDEO ENGINEERS

DITS & VIDEO ENGINEERS

If you’re a DIT or video engineer, you know that digital cameras and file-based workflows have completely changed the production landscape in the last 12-24 months. An explosion of new cameras from the Epic and Alexa, to the F65 and Phantom to DSLRs like the Canon 5D, 7D and even GoPro…

“SPECTR” NEW iCU PHANTOM FROM SUBLAB

“SPECTR” NEW iCU PHANTOM FROM SUBLAB

SPECTR, a communications system designed to remote control any Phantom Cameras in an intuitive and user-friendly way thanks to its long-range wireless network, developed by SUBLAB, high speed camera services.